Representasi Makna Kultural dalam Gerakan Tari Seka Kontemporer Suku Kamoro Papua
Abstract
Tari merupakan salah satu warisan budaya yang menjadi identitas suatu suku yang ada di Indonesia. Selain sebagai bentuk ekspresi, tari juga dapat menjadi representasi yang menghubungkan masyarakat dan budayanya. Begitupula denga Tari Seka dari suku Komoro Papua. Meskipun demikian, tidak semua orang dapat memahami makna dari setiap gerakan tari sehingga penelitian ini bertujuan untuk mengungkap makna kultural dalam gerakan Tari Seka Kontemporer suku Komoro Papua menggunakan pendekatan semiotika Pierce. Metode yang digunakan dalam penelitian ini adalah deskriptif kualitatif yang berorientasi pada makna gerakan tari. Teknik pengumpulan data yang digunakan adalah pengamatan atau observasi terhadap pagelaran tari di kegiatan Merauke Imbuti Festival 2024 dan wawancara mendalam. Analisis data dilakukan dengan transkrip data, klasifikasi data, dan mereduksi data. Adapun hasil penelitian ini menemukan bahwa terdapat 8 gerakan dalam tarian yang merepresentasikan makna kultural. Selain gerakan, formasi gerakan tari menjadi wujud dari representamen yang menghasilkan interpretan terhadap pembacanaya.
Downloads
References
Aliefiudin, M. H., & Asriningtias, Y. (2023). Pengembangan Aplikasi Augmented Reality Berbasis Android Pada Pengenalan Tarian Adat Papua. KLIK: Kajian Ilmiah Informatika Dan Komputer, 4(3), 1777–1787. https://doi.org/10.30865/klik.v4i3.1435
Ardiansyah, Risnita, & Jailani, M. S. (2023). Teknik Pengumpulan Data Dan Instrumen Penelitian Ilmiah Pendidikan Pada Pendekatan Kualitatif dan Kuantitatif. Jurnal IHSAN : Jurnal Pendidikan Islam, 1(2), 1–9. https://doi.org/10.61104/ihsan.v1i2.57
Arumjani, P., Al-Islami, N. A., Triratna, S., & Paramitha, P. (2022). Analisis Konsep Penciptaan Tari Kontemporer “Dredah” Pada Video Youtube Kesenian Jawa Undip. Prosiding Konferensi Ilmiah Pendidikan, 3, 2963–3222.
Budyanata, J. A., Sunarto, S. ;, & Widagyo, M. B. (2024). Representasi Viktimisasi Perempuan Dalam Hubungan Romantis Pada Film Like & Share (2022). Interaksi Online, 12(3), 1002–1021.
Gusmail, S., Nugra, P. D., & Airiansyah, F. (2019). Peningkatan Kreativitas Pengelolaan Unsur-Unsur Gerak Tari Di Aceh Besar. DESKOVI : Art and Design Journal, 2(1), 53. https://doi.org/10.51804/deskovi.v2i1.410
Indah Mar’atus Sholichah, Dyah Mustika Putri, & Akmal Fikri Setiaji. (2023). Representasi Budaya Banyuwangi Dalam Banyuwangi Ethno Carnival: Pendekatan Teori Representasi Stuart Hall. Education : Jurnal Sosial Humaniora Dan Pendidikan, 3(2), 32–42. https://doi.org/10.51903/education.v3i2.332
Indrayuda. (2010). Fenomena Tari Kontemporer dalam Karya Tari Mahasiswa Sendratasik UNP dan STSI Padang Panjang. Jurnal Pendidikan Dan Kebudayaan, 16(21), 64–75. https://doi.org/10.24832/jpnk.v16i1.432
Istiandini, W., Tindarika, R., & Sulissusiawan, A. (2022). Makna Simbol Properti Gong pada Tari Tradisional Ngeruai Kenemiak Dayak Kantu. Jurnal Seni Tari, 11(2), 179–187. https://doi.org/10.15294/jst.v11i2.61644
Liru, M. W., Paba, E. F., Cindy, E., Pera, J., Penalosa, A. A., Senge, W., Rabu, A. H., Nuwa, H., Djea, A. C., & Desti, D. (2024). Teori Semiotik Pierce Pada Tarian O Uwi Desa Bomari Langa , Kecamatan. Jurnal Kajian Dan Penelitian Umum, 2(1). https://doi.org/10.47861/jkpu-nalanda.v2i1.881
Maharani, A., & Sufyanto, S. (2024). Analisis Semiotika Film “Mother” tentang Toxic Parents. Interaction Communication Studies Journal, 1(1), 11–23. https://doi.org/10.47134/interaction.v1i1.2531
Nuriana, E., & Jannah, L. (2024). Nilai moral dan makna pada karya “ tuah tampah ”: Kajian semiotika tari. Patria Education Journal, 4(1), 1–7.
Pendidikan, P., Daerah, S., & Pendidikan, F. (2024). Kostum Tarian Topeng Ireng Kabupaten Magelang: Perspektif Semiotika Charles Sanders Pierce. Jurnal Pendidikan Seni & Seni Budaya, 9(2), 236–246. https://doi.org/10.31851/sitakara KOSTUM
Satrianingsih, A. R. O., Aditya, M. C. P., Tindarika, R., & Fretisari, I. (2023). Nilai Karakter Pada Gerak Tari Melinting Sebagai Penguatan Profil Pelajar Pancasila. Jurnal Pendidikan Dan Konseling, 5(2), 2605–2613. Nilai Pendidikan Karakter, Profil Pelajar Pancasila, Tari Melinting
Sholikhah, N. & H. (2024). Penamaan Dan Makna Kultural Leksikon Sesajen Dalam Prosesi Larungan Pesta Lomban Di Jepara. 20(1), 91–108. https://doi.org/10.26499/jk.v20i1.7111
Ulfah, R., & Rosmiati, A. (2024). Analisis Visual Representasi Identitas Budaya Lokal pada Ilustrasi Karya Renata Owen. CITRAWIRA : Journal of Advertising and Visual Communication, 5(1), 47–74. https://doi.org/10.33153/citrawira.v5i1.4831
Zendrat, N., Simbolon, R. L. C., Soraya, M. F., & Safitri, D. (2024). Representasi Makna Simbolis Gerak Tari Tor-Tor Naposo Nauli Bulung Dalam Bahasa Indonesia Representation of the Symbolic Meaning of the Tor-Tor Naposo Nauli Bulung Dance Movement in Indonesian. 430–435.
Copyright (c) 2024 Ratu Bulkis Ramli, Andi Karman, Suparman Suparman, Musriani Musriani
This work is licensed under a Creative Commons Attribution 4.0 International License.
By submitting the article/manuscript of the article, the author(s) agree with this policy. No specific document sign-off is required.
License
The use of the article will be governed by the Creative Commons Attribution license as currently displayed on Creative Commons Attribution 4.0 International License.
Author(s)' Warranties
The author warrants that the article is original, written by the stated author(s), has not been published before, contains no unlawful statements, does not infringe the rights of others, is subject to copyright that is vested exclusively in the author and free of any third party rights, and that any necessary written permissions to quote from other sources have been obtained by the author(s).
User/Public Rights
Under the Creative Commons license, users are allowed to copy, distribute, display, and perform the work. Users will also need to attribute authors on distributing works in the journal and other media of publications. Unless otherwise stated, the authors are public entities as soon as their articles got published.
Rights of Authors
Authors retain all their rights to the published works, such as (but not limited to) the following rights;
- Copyright and other proprietary rights relating to the article, such as patent rights,
- The right to use the substance of the article in own future works, including lectures and books,
- The right to reproduce the article for own purposes,
- The right to self-archive the article,
- The right to enter into separate, additional contractual arrangements for the non-exclusive distribution of the article's published version (e.g., post it to an institutional repository or publish it in a book), with an acknowledgment of its initial publication in this journal.
Co-Authorship
If the article was jointly prepared by more than one author, any authors submitting the manuscript warrants that he/she has been authorized by all co-authors to be agreed on this copyright and license notice (agreement) on their behalf, and agrees to inform his/her co-authors of the terms of this policy. The journal will not be held liable for anything that may arise due to the author(s) internal dispute. The journal will only communicate with the corresponding author.
Royalties
Being an open accessed journal and disseminating articles for free under the Creative Commons license term mentioned, author(s) aware that the journal entitles the author(s) to no royalties or other fees.
Miscellaneous
The article will be published in the journal if the article’s editorial process is successfully completed. The editors may modify the article to a style of punctuation, spelling, capitalization, referencing, and usage that deems appropriate. The author acknowledges that the article may be published so that it will be publicly accessible and such access will be free of charge for the readers.
