Representasi Kehadiran Emosional dalam Lirik Lagu “Selalu Ada di Nadimu” OST Jumbo: Analisis Semiotik Ferdinand de Saussure dan Psikolinguistik
Abstract
Lagu tidak hanya berfungsi sebagai hiburan, tetapi juga sebagai medium komunikasi emosional yang merepresentasikan pengalaman psikologis manusia. Penelitian ini menganalisis lirik lagu “Selalu Ada di Nadimu” sebagai original soundtrack film Jumbo (2025) karya Ryan Adriandhy menggunakan semiotika Ferdinand de Saussure dan pendekatan psikolinguistik berupa emotional language processing, embodied cognition, dan affective language processing. Penelitian ini bertujuan mengidentifikasi hubungan signifiant dan signifié, relasi paradigmatik, serta relasi sintagmatik dalam membangun makna emosional lirik lagu. Penelitian menggunakan pendekatan kualitatif dengan teknik dokumentasi dan studi pustaka terhadap keseluruhan lirik lagu. Hasil penelitian menunjukkan bahwa metafora seperti “badai”, “angin”, “nyanyian”, dan “doa” merepresentasikan ketahanan psikologis, kasih sayang, dan dukungan emosional. Relasi paradigmatik menghasilkan nuansa afektif yang lembut, sedangkan relasi sintagmatik membentuk alur emosional dari kecemasan menuju penguatan psikologis. Selain itu, unsur metafora dan diksi emosional diproses secara afektif sehingga mampu membangun rasa aman dan kedekatan emosional pada pendengar. Penelitian ini menegaskan bahwa lirik lagu dapat berfungsi sebagai medium komunikasi emosional dan dukungan psikologis dalam budaya populer kontemporer.
Downloads
References
Afriyanti, I. (2025). Analysis of the Song Try Everything by Shakira: A Semiotic Study Based on Ferdinand de Saussure. JOSHE: Jurnal of Social Humanities & Education, 1(1), 16–24. https://doi.org/10.64624/joshe.v1i1.87
Aisyah, N. (2025). SIMBOLISME Emosi Dan Nilai Keluarga Dalam Lirik Lagu Selalu Ada Di Nadimu: Analisis Semiotik Roland Barthes. Indonesian Journal of Linguistics, 2(1), 44–58. https://doi.org/10.33005/ijl.v2i1.42
Albab, S., Saefudin, D. P., & Umbarasari, T. (2025). Analisis Bahasa Figuratif dalam Dialog Romantis Film Dilan 1990: Kajian Stilistika. Jurnal Pendidikan Bahasa dan Sastra, 5(2).
Cacioppo, J. T., & Berntson, G. G. (1999). The Affect System: Architecture and Operating Characteristics. Current Directions in Psychological Science, 8(5), 133–137. https://doi.org/10.1111/1467-8721.00031
Lakoff, G., & Johnson, M. (2008). Metaphors We Live By. University of Chicago Press. https://books.google.co.id/books?id=r6nOYYtxzUoC
Panksepp, J. (1995). The Emotional Sources of “Chills” Induced by Music. Music Perception, 13(2), 171–207. https://doi.org/10.2307/40285693
Park, M., & Yoo, G. E. (2026). Bridging internal states with music: An exploratory analysis of music-induced embodied emotion regulation in autistic youth and young adults. Research in Developmental Disabilities, 168, 105180. https://doi.org/10.1016/j.ridd.2025.105180
Putri, F. R., & Dewi, A. K. (2026). Analisis Semiotika dan Representasi Emotional Healing dalam Lagu “Perayaan Mati Rasa” Karya Umay Shahab Ft. Natania Karin. Abstrak : Jurnal Kajian Ilmu Seni, Media Dan Desain, 3(3), 16–29. https://doi.org/10.62383/abstrak.v3i3.1088
Ratnaduhita, C., Riyanto, E. D., & Khusyairi, J. A. (2025). Representasi Cinta dalam Lirik Lagu Kupu-Kupu oleh Tiara Andini: Analisis Semiotika Roland Barthes. PROMUSIKA, 13(1), 1–12. https://doi.org/10.24821/promusika.v1i1.15213
Rosidah. (2025). An Analysis of Derivational Affixation and Inflectional Affixation Process in Song Lyric “Unstoppable” By Sia. JOSHE: Jurnal of Social Humanities & Education, 1(1), 25–32. https://doi.org/10.64624/joshe.v1i1.89
Saefudin, D., Mulyadi, & Nurani, S. (2025). Visualizing History: Narrative and Discourse Analysis of Historical Dioramas at Museum Sejarah Nasional Indonesia. Journal of English Language Learning, 9(2), 169–179. https://doi.org/10.31949/jell.v9i2.15596
Saefudin, D. P., Nurani, S., Puadah, A., & Kartono, K. (2025). Deconstructing Messages in Comic Strips on the Instagram Account Komik Grontol: A Semiotic Analysis of Roland Barthes. Channing: Journal of English Language Education and Literature, 10(1), 20–29. https://doi.org/10.30599/y8g5k595
Saleh, F., Aras, N. A. M., & Wahyudi, F. (2023). Interpretasi Makna Lagu Bugis “Alosi Ripolo Dua”: Analisis Semiotika Roland Barthes. Jurnal Idiomatik: Jurnal Pendidikan Bahasa Dan Sastra Indonesia, 6(2), 185–195. https://doi.org/10.46918/idiomatik.v6i2.2115
Saussure, F. de. (2011). Course in general linguistics (P. Meisel & H. Saussy, Eds.; W. Baskin, Trans.). Columbia University Press.
Storace, C., Continisio, G. I., D’Onofrio, E., Toscano, S., & Bravaccio, C. (2025). Music for emotional well-being in paediatric nurses: A work-related stress study. Journal of Integrated Care, 33(5), 63–71. https://doi.org/10.1108/JICA-05-2025-0042
Sudarti, Z., Adilah, Z., & Mubarok, Y. (2026). Analisis Pendekatan Ekspresif pada Lirik Lagu “Di Akhir Perang” Karya Nadin Amizah. GERAM (Gerakan Aktif Menulis), 14(1), 141–154. https://doi.org/https://doi.org/10.25299/geram.2026.27380
Widyastuti, I. P., & Fateah, N. (2024). Metafora Konseptual Percintaan Dalam Lagu Didi Kempot Berjudul Banyu Langit Album Kasmaran. Belantika Pendidikan, 7(1), 29–37. https://doi.org/10.47213/bp.v7i1.360
Yulia, E., Pramesty, E. R., Husniyyah, N. D. M., Alfiah, N., & Istianingrum, R. (2026). Representasi Cinta Dalam Lirik Lagu Hati-Hati Di Jalan Karya Tulus: Kajian Semiotik Saussure. Jurnal Pesastra (Pendidikan Bahasa Dan Sastra), 3(1), 1–8. https://doi.org/https://doi.org/10.36709/pesastra.v3i1.139
Copyright (c) 2026 Jumiati Jumiati, Dery Purnama Saefudin, Tri Astuti, Roni Kurniawan, Yuliansyah Yuliansyah
This work is licensed under a Creative Commons Attribution 4.0 International License.
By submitting the article/manuscript of the article, the author(s) agree with this policy. No specific document sign-off is required.
License
The use of the article will be governed by the Creative Commons Attribution license as currently displayed on Creative Commons Attribution 4.0 International License.
Author(s)' Warranties
The author warrants that the article is original, written by the stated author(s), has not been published before, contains no unlawful statements, does not infringe the rights of others, is subject to copyright that is vested exclusively in the author and free of any third party rights, and that any necessary written permissions to quote from other sources have been obtained by the author(s).
User/Public Rights
Under the Creative Commons license, users are allowed to copy, distribute, display, and perform the work. Users will also need to attribute authors on distributing works in the journal and other media of publications. Unless otherwise stated, the authors are public entities as soon as their articles got published.
Rights of Authors
Authors retain all their rights to the published works, such as (but not limited to) the following rights;
- Copyright and other proprietary rights relating to the article, such as patent rights,
- The right to use the substance of the article in own future works, including lectures and books,
- The right to reproduce the article for own purposes,
- The right to self-archive the article,
- The right to enter into separate, additional contractual arrangements for the non-exclusive distribution of the article's published version (e.g., post it to an institutional repository or publish it in a book), with an acknowledgment of its initial publication in this journal.
Co-Authorship
If the article was jointly prepared by more than one author, any authors submitting the manuscript warrants that he/she has been authorized by all co-authors to be agreed on this copyright and license notice (agreement) on their behalf, and agrees to inform his/her co-authors of the terms of this policy. The journal will not be held liable for anything that may arise due to the author(s) internal dispute. The journal will only communicate with the corresponding author.
Royalties
Being an open accessed journal and disseminating articles for free under the Creative Commons license term mentioned, author(s) aware that the journal entitles the author(s) to no royalties or other fees.
Miscellaneous
The article will be published in the journal if the article’s editorial process is successfully completed. The editors may modify the article to a style of punctuation, spelling, capitalization, referencing, and usage that deems appropriate. The author acknowledges that the article may be published so that it will be publicly accessible and such access will be free of charge for the readers.
