Representasi Keibuan dalam Puisi Indonesia: Analisis Unsur Batin Puisi "Ibu" Karya KH Mustofa Bisri, D. Zawawi Imron, Sapardi Djoko Damono, dan W.S. Rendra
Abstract
Penelitian ini bertujuan untuk menganalisis persamaan dan perbedaan unsur batin dalam empat puisi berjudul "Ibu" karya KH Mustofa Bisri, D. Zawawi Imron, Sapardi Djoko Damono, dan W.S. Rendra, serta menyusun tipologi representasi keibuan berdasarkan temuan analisis tersebut. Objek material penelitian ini adalah teks keempat puisi "Ibu" dari keempat penyair tersebut, sementara objek formalnya adalah unsur batin puisi yang mencakup tema, rasa, nada, dan amanat. Penelitian ini menggunakan metode kualitatif dengan jenis library research atau penelitian kepustakaan. Pendekatan yang digunakan adalah pendekatan struktural dengan fokus pada analisis unsur batin serta pendekatan komparatif untuk membandingkan keempat puisi. Teknik pengumpulan data dilakukan melalui teknik dokumentasi dengan langkah inventarisasi sumber data, pembacaan heuristik dan hermeneutik, pencatatan data, serta klasifikasi data. Teknik analisis data menggunakan analisis deskriptif komparatif yang meliputi reduksi data, penyajian data, verifikasi, dan penarikan kesimpulan.
Hasil penelitian menunjukkan bahwa keempat puisi memiliki perbedaan signifikan dalam unsur batinnya. Puisi KH Mustofa Bisri bertema spiritualitas dengan rasa khusyuk dan religius, nada kontemplatif dan doa, serta amanat untuk mendoakan ibu. Puisi D. Zawawi Imron bertema identitas dan utang budi dengan rasa haru dan rindu, nada intim dan naratif, serta amanat untuk membayar hutang budi kepada ibu. Puisi Sapardi Djoko Damono bertema kehilangan dan kerinduan pada sosok ayah dengan rasa sedih dan kosong, nada polos dan interogatif, serta amanat untuk menghargai keutuhan keluarga. Puisi W.S. Rendra bertema totalitas kehidupan dengan rasa syukur dan kagum, nada deklaratif dan otoritatif, serta amanat bahwa ibu adalah pusat peradaban. Berdasarkan temuan tersebut, disusun empat tipologi representasi keibuan, yaitu pendekatan mistik-transendental (Gus Mus), etnik-eksistensial (Zawawi Imron), psikologis-absurd (Sapardi), dan klasik-struktural (Rendra).
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References
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