The Gender Power: The Representation of Juliet in Shakespeare’s Romeo and Juliet (2013)
Abstract
This research examines how gender power is represented through the character of Juliet in Shakespeare's Romeo and Juliet (2013), directed by Carlo Carlei, employing a qualitative analytical methodology grounded in feminist theory. The study utilizes Judith Butler's concept of gender performativity, Simone de Beauvoir's existential feminism, and Michel Foucault's theoretical framework of power relations to deconstruct the complexities of female subjectivity within patriarchal structures. The findings reveal that gender power constitutes not merely a system of oppression but a complex network of relations that simultaneously produces and constrains female subjectivity. Juliet emerges as a multifaceted protagonist whose acts of resistance manifested through her clandestine marriage, deliberate refusal of parental authority, and ultimate self-determination represent subversive reperformances of prescribed femininity. These transgressive acts expose and challenge the contingent, constructed nature of gender norms within Elizabethan patriarchal society. The analysis demonstrates that although Juliet's resistance ultimately proves untenable within the film's rigid patriarchal framework, it nonetheless illuminates how gender identities are constructed, enforced, and contested through repeated performative acts. The examination of secondary female characters particularly the Nurse and Lady Capulet reveals how gender power operates differentially across intersecting dimensions of class, age, and social position, demonstrating that female subordination is neither monolithic nor predetermined. In conclusion, the film portrays gender power as dynamic, contested, and fundamentally dependent upon the continued repetition and reperformance of normative gender behaviors. Shakespeare's portrayal of female characters exposes how patriarchal power maintains subordination through linguistic regulation, embodied discipline, and institutional authority, while simultaneously suggesting possibilities for subversion and resistance within these constraining structures.
Downloads
References
Andersen, M. (2022). The constellation of Shakespeare's Juliet: A psychoanalytic and feminist critique locating the power of Juliet's resistance. English Theses, Dissertations, and Student Creative Activity, 6, 1–5.
Butler, J. (1988). Performative acts and gender constitution: An essay in phenomenology and feminist theory. Theatre Journal, 40(4), 519–531.
Butler, J. (1990). Gender Trouble: Feminism and the Subversion of Identity. Routledge.
Chedgzoy, K. (Ed.). (2001). Shakespeare, Feminism and Gender: Contemporary Critical Essays. Palgrave Macmillan.
de Beauvoir, S. (1949). The Second Sex. Vintage Books.
Dusinberre, J. (1975). Shakespeare and the Nature of Women. Macmillan.
Fahri, A., & Rosida, I. (2023). Gender and power relations in Aisha Saeed's Amal Unbound. Muslim English Literature, 2(1).
Foucault, M. (1975). Discipline and Punish: The Birth of the Prison (A. Sheridan, Trans.). Vintage Books.
Foucault, M. (1976). The History of Sexuality, Vol. 1: An Introduction (R. Hurley, Trans.). Vintage Books.
Foucault, M. (1980). Power/Knowledge: Selected Interviews and Other Writings, 1972–1977 (C. Gordon, Ed.). Pantheon Books.
Ghorpade, R. P., & Samy, K. (2023). The representation of women in Shakespeare's plays: A feminist analysis. ShodhKosh: Journal of Visual and Performing Arts, 4(2), 4014–4020.
Haniph, N. (2017). A feminist reading of Shakespeare's works. Research Journal of English Language and Literature (RJELAL), 5(1), 325–331.
hooks, b. (1984). Feminist Theory: From Margin to Center. South End Press.
Kostova, K. (2025). Gender politics and proto-feminist dimensions of gender roles in Renaissance England: A socio-literary examination. International Journal of Research—GRANTHAALAYAH, 13(6), 188–198.
Paturusi, I. C. A., Halim, A., & Nasta, M. (2024). Revealing the kinds of gender inequality in Disney Mulan 2020 movie. Journal of English Language and Literature (JELL). Universitas Negeri Makassar.
Rackin, P. (2005). Shakespeare and Women. Oxford University Press.
Rao, A. S. (2025). Love as conflict: A comparative analysis of Shakespeare's Othello and Romeo and Juliet. International Journal for Multidisciplinary Research (IJFMR), 7(5).
Shakespeare, W. (2013). Romeo and Juliet [Motion picture]. (C. Carlei, Director). Relativity Media.
Sinta, S., & Ambalegin, A. (2020). The struggle against patriarchal dominance in Romeo and Juliet drama. IdeBahasa, 2(2), 141–154.
Walby, S. (1990). Theorizing Patriarchy. Blackwell.
Copyright (c) 2026 Mutiara Salwa, Bahar Bahar

This work is licensed under a Creative Commons Attribution 4.0 International License.
By submitting the article/manuscript of the article, the author(s) agree with this policy. No specific document sign-off is required.
License
The use of the article will be governed by the Creative Commons Attribution license as currently displayed on Creative Commons Attribution 4.0 International License.
Author(s)' Warranties
The author warrants that the article is original, written by the stated author(s), has not been published before, contains no unlawful statements, does not infringe the rights of others, is subject to copyright that is vested exclusively in the author and free of any third party rights, and that any necessary written permissions to quote from other sources have been obtained by the author(s).
User/Public Rights
Under the Creative Commons license, users are allowed to copy, distribute, display, and perform the work. Users will also need to attribute authors on distributing works in the journal and other media of publications. Unless otherwise stated, the authors are public entities as soon as their articles got published.
Rights of Authors
Authors retain all their rights to the published works, such as (but not limited to) the following rights;
- Copyright and other proprietary rights relating to the article, such as patent rights,
- The right to use the substance of the article in own future works, including lectures and books,
- The right to reproduce the article for own purposes,
- The right to self-archive the article,
- The right to enter into separate, additional contractual arrangements for the non-exclusive distribution of the article's published version (e.g., post it to an institutional repository or publish it in a book), with an acknowledgment of its initial publication in this journal.
Co-Authorship
If the article was jointly prepared by more than one author, any authors submitting the manuscript warrants that he/she has been authorized by all co-authors to be agreed on this copyright and license notice (agreement) on their behalf, and agrees to inform his/her co-authors of the terms of this policy. The journal will not be held liable for anything that may arise due to the author(s) internal dispute. The journal will only communicate with the corresponding author.
Royalties
Being an open accessed journal and disseminating articles for free under the Creative Commons license term mentioned, author(s) aware that the journal entitles the author(s) to no royalties or other fees.
Miscellaneous
The article will be published in the journal if the article’s editorial process is successfully completed. The editors may modify the article to a style of punctuation, spelling, capitalization, referencing, and usage that deems appropriate. The author acknowledges that the article may be published so that it will be publicly accessible and such access will be free of charge for the readers.











