Representasi Resistensi melalui Warna dalam Poster Aksi Protes Politik Indonesia: Kajian Semiotik Peirce di Ruang Digital
Abstract
Penelitian ini menganalisis bagaimana warna berfungsi sebagai representasi resistensi dalam poster aksi protes politik yang beredar di media sosial Indonesia. Fokus kajian diarahkan pada tiga simbol warna, yaitu Brave Pink, Hero Green, dan Resistance Blue, yang digunakan publik untuk mengartikulasikan kritik sosial-politik. Penelitian ini bertujuan menguraikan hubungan antara penanda visual (warna), objek sosial-politik, dan interpretasi publik menggunakan kerangka semiotika triadik Peirce. Metode penelitian yang digunakan adalah deskriptif kualitatif dengan pendekatan studi kasus melalui observasi poster digital dan dokumentasi visual. Hasil penelitian menunjukkan bahwa ketiga warna tersebut berfungsi sebagai simbol resistensi yang membentuk narasi kolektif dan pergeseran warna dari fungsi estetika menjadi instrumen komunikasi politik. Penelitian ini menyimpulkan bahwa warna berperan penting sebagai tanda politik dalam ruang digital masa kini.
Downloads
References
Referensi
Akhmad, S. K., & Saridewi, D. (2025). Studi Simbolisme Visual Aksi #bravepink dan #herogreen dalam Kerangka Color-Based Activism di Era Media Sosial. Jurnal Pendidikan, Hukum, Komunikasi, 1(3), 146–166.
Ameilia, R. & Togorotop, G. (2025). Membaca Makna di Balik Warna dan Ikon pada Aplikasi GO-JEK: Sebuah Kajian Semiotika. JIIC: Jurnal Intelek Insan Cendikia. Vol. 2, No. 3.
Babayiğit, M. V., Pilatin, İ., & Butekin, E. (2025). Semiotic Analysis of Political Party Posters Used in The Local Elections Held on March 31st, 2024 in Türkiye in the Context of Linguistics. Karamanoğlu Mehmetbey Üniversitesi Uluslararası Filoloji ve Çeviribilim Dergisi, 7(1), 1-26.
Br Ginting, L. S. D., & Pulungan, R. (2019). Semiotika (Makna Warna Dalam Uis Karo). BAHASTRA: Jurnal Pendidikan Bahasa dan Sastra Indonesia. Vol. 3, No. 2.
Bottomley, P. A., & Doyle, J. R. (2023). Cross-Cultural Color Associations And Their Implications For Environmental Communication. Journal Of Environmental Psychology, 89, 102045.
Gerbaudo, P. (2012). Tweets and the streets: Social media and contemporary activism. Pluto Press.
Hidayat, T. P. (2022). Peran Penting Palet Warna dan Semiotika dalam Interpretasi Poster Film. TUTURUPA: Jurnal Desain Komunikasi Visual dan Media Baru. Vol. 5, No. 1, 34-47.
Jaya, A. A., Amir, J., & Juanda. (2025). Makna Tanda dalam Iklan Kecantikan: Analisis Semiotika Charles Sanders Peirce. Jurnal Onoma: Pendidikan, Bahasa dan Sastra. Vol. 11, No. 3.
Marwan, R. H. (2018). Kajian Semiotika Warna pada Ondel-ondel Betawi Tahun Pembuatan 2010 di Jakarta Selatan. Jurnal Inosains, 13(2), 121-135.
Pratama, F. A. (2024). Penggunaan Warna dalam Film “Blade Runner 2049” Ditinjau dari Sudut Pandang Semiotika. International Conference on Art, Design, Education and Cultural Studies (ICADECS). Vol. 6, No. 1.
Saleha., & Yuwita, M. R. (2023). Analisis Semiotika Charles Sanders Peirce pada Simbol Rambu Lalu Lintas Dead End. Mahadaya. Vol. 3, No. 1.
Setiyawan, R., Khasanah, S. U., Setiawan, A. & Ferdinand, R. (2025). Semiotika Warna dalam Kampanye Kesadaran Lingkungan di Indonesia. Chester: Art and Design Journal. Vol. 2, No. 3.
Shidqi, R. D. & Sari, R. P. (2025). Makna Hewan Kucing Hitam: Analisis Semiotika Roland Barthes. Mahadaya: Jurnal Bahasa, Sastra, dan Budaya. Vol. 5, No. 2, 219-230.
Suryantara, A. N., Sartika, D., Riska, E. A., Herdianawati, R., Hafid, R. S., Pratista, A. A., & Chaniago, A. S. (2025). Analisis Konstruksi Makna Visual Iklan GOJEK ‘Pasti Ada Jalan’ Berdasarkan Semiotika dan Warna. HUMANUS: Jurnal Sosiohumaniora Nusantara. Vol. 2, No. 2
Tilly, C., & Tarrow, S. G. (2015). Contentious politics. Oxford University Press.
Copyright (c) 2026 Salama Putri Anugrah, Aini Puspita Astika, Kholid Abdullah Harras

This work is licensed under a Creative Commons Attribution 4.0 International License.
By submitting the article/manuscript of the article, the author(s) agree with this policy. No specific document sign-off is required.
License
The use of the article will be governed by the Creative Commons Attribution license as currently displayed on Creative Commons Attribution 4.0 International License.
Author(s)' Warranties
The author warrants that the article is original, written by the stated author(s), has not been published before, contains no unlawful statements, does not infringe the rights of others, is subject to copyright that is vested exclusively in the author and free of any third party rights, and that any necessary written permissions to quote from other sources have been obtained by the author(s).
User/Public Rights
Under the Creative Commons license, users are allowed to copy, distribute, display, and perform the work. Users will also need to attribute authors on distributing works in the journal and other media of publications. Unless otherwise stated, the authors are public entities as soon as their articles got published.
Rights of Authors
Authors retain all their rights to the published works, such as (but not limited to) the following rights;
- Copyright and other proprietary rights relating to the article, such as patent rights,
- The right to use the substance of the article in own future works, including lectures and books,
- The right to reproduce the article for own purposes,
- The right to self-archive the article,
- The right to enter into separate, additional contractual arrangements for the non-exclusive distribution of the article's published version (e.g., post it to an institutional repository or publish it in a book), with an acknowledgment of its initial publication in this journal.
Co-Authorship
If the article was jointly prepared by more than one author, any authors submitting the manuscript warrants that he/she has been authorized by all co-authors to be agreed on this copyright and license notice (agreement) on their behalf, and agrees to inform his/her co-authors of the terms of this policy. The journal will not be held liable for anything that may arise due to the author(s) internal dispute. The journal will only communicate with the corresponding author.
Royalties
Being an open accessed journal and disseminating articles for free under the Creative Commons license term mentioned, author(s) aware that the journal entitles the author(s) to no royalties or other fees.
Miscellaneous
The article will be published in the journal if the article’s editorial process is successfully completed. The editors may modify the article to a style of punctuation, spelling, capitalization, referencing, and usage that deems appropriate. The author acknowledges that the article may be published so that it will be publicly accessible and such access will be free of charge for the readers.











